Questa è la pagina dedicata a Manil Suri.
In questa pagina troverai 5 prodotti, tra cui “Bollywood apocalypse”.
Manil Suri è un matematico indiano-americano e scrittore di una trilogia di romanzi tutti intitolati a divinità indù. Il suo primo romanzo, La morte di Vishnu, che è stato inserito nella long-list per il Booker Prize del 2001, nella short-list per il PEN/Faulkner Award del 2002 e ha vinto il Barnes & Noble Discover Prize quell’anno.
The Big Bang of Numbers: How to Build the Universe Using Only Maths
‘A beautifully written meditation on mathematics: whimsical, thought-provoking and deep’ ALEX BELLOS, author of Alex’s Adventures in Numberland Our universe has multiple origin stories, from religious creation myths to the Big Bang of scientists. But if we leave those behind and start from nothing – no matter, no cosmos, not even empty space – could we create a universe using only maths? In this new mathematical origin story, mathematician and award-winning novelist Manil Suri creates a natural progression of ideas needed to design our world, starting with numbers and continuing through geometry, algebra, and beyond. With evocative and engaging examples ranging from multidimensional crochet to the Mona Lisa’s asymmetrical smile, as well as ingenious storytelling that helps illuminate complex concepts like infinity and relativity, The Big Bang of Numbers charts a playful, inventive course to existence. Distilled from almost four decades of teaching experience, and offering both striking new perspectives for maths aficionados and an accessible introduction for enthusiastic novices, The Big Bang of Numbers proves that we can all fall in love with maths. ‘Who knew numbers could be so charming … Suri takes us on a light-hearted journey all the way from nothing (zero) to infinity’ KAREN JOY FOWLER, Booker-longlisted author of Booth
Bollywood apocalypse
Mother India
The Death of Vishnu
In Manil Suri’s debut novel, Vishnu, the odd-job man, lies dying on the staircase of an apartment building while around him unfold the lives of its inhabitants: warring housewives, lovesick teenagers, a grieving widower. In a fevered state, Vishnu looks back on his love affair with the seductive Padmini and wonders if he might actually be the god Vishnu, guardian of the entire universe.
The City of Devi
Mumbai has emptied under the threat of imminent nuclear annihilation; gangs of marauding Hindu and Muslim thugs rove the desolate streets; yet Sarita can think of only one thing: buying the last pomegranate that remains in perhaps the entire city. She is convinced that the fruit holds the key to reuniting her with her physicist husband, Karun, who has been mysteriously missing for more than a fortnight. Searching for his own lover in the midst of this turmoil is Jaz-cocky, handsome, and glib. “The Jazter,” as he calls himself, is Muslim, but his true religion has steadfastly been sex with men. Dodging danger at every step, both he and Sarita are inexorably drawn to Devi ma, the patron goddess who has reputedly appeared in person to save her city. What they find will alter their lives more fundamentally than any apocalypse to come. A wickedly comedic and fearlessly provocative portrayal of individuals balancing on the sharp edge of fate, The City of Devi brilliantly upends assumptions of politics, religion, and sex, and offers a terrifying yet exuberant glimpse of the end of the world.
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