Libri di Andrea Dworkin migliori da leggere e consigliati

Selections from the work of radical feminist author Andrea Dworkin, famous for her antipornography stance and role in the feminist sex wars of the 1980s. Radical feminist author Andrea Dworkin was a caricature of misandrist extremism in the popular imagination and a polarizing figure within the women’s movement, infamous for her antipornography stance and her role in the feminist sex wars of the 1980s. She still looms large in feminist demands for sexual freedom, evoked as a censorial demagogue, more than a decade after her death. Among the very first writers to use her own experiences of rape and battery in a revolutionary analysis of male supremacy, Dworkin was a philosopher outside and against the academy who wrote with a singular, apocalyptic urgency. Last Days at Hot Slit brings together selections from Dworkin’s work, both fiction and nonfiction, with the aim of putting the contentious positions she’s best known for in dialogue with her literary oeuvre. The collection charts her path from the militant primer Woman Hating (1974), to the formally complex polemics of Pornography (1979) and Intercourse (1987) and the raw experimentalism of her final novel Mercy (1990). It also includes “Goodbye to All This” (1983), a scathing chapter from an unpublished manuscript that calls out her feminist adversaries, and “My Suicide” (1999), a despairing long-form essay found on her hard drive after her death in 2005.

From one of America’s leading biographers, the definitive story of the radical feminist and anti-pornography activist, based on exclusive access to her archives Fifteen years after her death, Andrea Dworkin remains one of the most important and challenging figures in second-wave feminism. Although frequently relegated to its more radical fringes, Dworkin was without doubt a formidable and influential writer, a philosopher, and an activist-a brilliant figure who inspired and infuriated in equal measure. Her many detractors were eager to reduce her to the caricature of the angry, man-hating feminist who believed that all sex was rape, and as a result, her work has long been misunderstood. It is in recent years, especially with the rise of the #MeToo movement, that there has been a resurgence of interest in her ideas. This biography is the perfect complement to the widely reviewed anthology of her writing, Last Days at Hot Slit, published in 2019, providing much-needed context to her work. Given exclusive access to never-before-published photographs and archives, including her letters to many of the major figures of second-wave feminism, award-winning biographer Martin Duberman traces Dworkin’s life, from her abusive first marriage through her central role in the sex and pornography wars of the following decades. This is a vital, complex, and long overdue reassessment of the life and work of one of the towering figures of second-wave feminism.