Libri di Jorie Graham Migliori da leggere e consigliati

A Poetry Book Society Special Commendation Autumn 2022. [To] The Last [Be] Human collects four extraordinary poetry books-Sea Change, PLACE, fast, and Runaway-by Pulitzer Prize winner Jorie Graham. From the introduction by Robert Macfarlane: The earliest of the poems in this tetralogy were written at 373 parts per million of atmospheric CO2, and the most recent at 414 parts per million; that is to say, in the old calendar, 2002 and 2020 respectively. The body of work gathered here stands as an extraordinary lyric record of those eighteen calamitous years: a glittering, teeming Anthropocene journal, rife with hope and raw with loss, lush and sparse, hard to parse and hugely powerful to experience. Graham’s poems are turned to face our planet’s deep-time future, and their shadows are cast by the long light of the will-have-been. But they are made of more durable materials than granite and concrete, and their tasks are of record as well as warning: to preserve what it has felt like to be a human in these accelerated years when “the future/takes shape/too quickly”, when we are entering “a time/beyond belief”. They know, these poems, and what they tell is precise to their form… Sometimes they are made of ragged, hurting, hurtling, and body-fleeing language; other times they celebrate the sheer, shocking, heart-stopping gift of the given world, seeing light, tree, sea, skin, and star as a “whirling robe humming with firstness”. To read these four twenty-first-century books together in a single volume is to experience vastly complex patterns forming and reforming in mind, eye, and ear. These poems sing within themselves, between one another, and across collections, and the song that joins them all is uttered simply in the first lines of the last poem of the last book: The earth said remember me. The earth said don’t let go, said it one day when I was accidentally listening

Evocando una varietà di voci e prospettive diverse – dalla sacra sindone ai fondali oceanici – questi testi danno forma e urgenza alla sempre più rapida trasformazione da cui è investito il pianeta: tra cyber-vita, «vita» stampata in 3D, vita dopo la morte, vita biologicamente, chimicamente ed elettronicamente modificata, fast getta luce sulla nostra esistenza, sulla nostra individualità e su una specie che oggi sembra camminare costantemente in bilico sull’orlo di un burrone.

From Erosion: SAN SEPOLCRO Jorie Graham …How clean the mind is, holy grave. It is this girl by Piero della Francesca, unbuttoning her blue dress, her mantle of weather, to go into labor. Come, we can go in. It is before the birth of god. No-one has risen yet to the museums, to the assembly line bodies and wings to the open air market. This is what the living do: go in. It’s a long way. And the dress keeps opening from eternity to privacy, quickening. Inside, at the heart, is tragedy, the present moment forever stillborn, but going in, each breath is a button coming undone, something terribly nimble-fingered finding all of the stops. Jorie Graham grew up in Italy and now lives in northern California.She has received grants from the Ingram-Merrill Foundation, the Bunting Institute, and the John Simon Guggenheim Memorial Foundation.Her first book, Hybrids of Plants and of Ghosts (Princeton, 1980), won the Great Lakes Colleges Association Award as the best first book of poems published in 1980.